Paulina (Natasha Nice) is the author of a successful series of children's books but wants to write something for adults: a horror novel. So she gets in touch with her favorite author, Wes Mueller (Richie Calhoun), and more or less falls in love with him on the phone. But her peculiar sister Sara (Kimberly Kane) thinks anyone who writes what Wes does must be deranged. Paulina gets scared herself when Sara digs up an old magazine cover showing Wes being committed to a psychiatric institution, and she stops calling Wes. Eventually, though, he shows up at her house to check if she is all right, and the two of them go to dinner with Sara and her husband (Rocco Reed) with the intention of scaring the crap out of them. Afterwards, Paulina and Wes heave a heart-to-heart and get together.
The story was written by Jacky St James (who is also credited as Assistant Director and Production Manager), and quite a bit of time is devoted to it: about 35 minutes. We actually wouldn't have minded even a bit more of the story, which is quite good.
Overall, we thought this movie was really quite good. It fully deserved to win the 2012 XBiz Award for Best Couples-Themed Release. It's very funny in places, and the two scenes at the end, when Wes and Paulina finally meet and then when they confess their love for one another, are romantic yet realistic.
One of our favorite little touches is the back cover of Wes's novel, as we see it, over Paulina's shoulder, after the first sex scene. It reads: "Wes Mueller is the #1 Best Selling Horror Novelist in the known universe. Everyone should own his books. Also, I think Jacky St. James is hot."
The sex scenes, for the most part, are well-integrated into the movie, and they are realistic and passionate. The exception is the third scene, which feels a bit gratuitous. But the other three are all terrific, and the last scene, in which Paulina and Wes finally have sex, is outstanding.
The photography during the sex scenes is very, very good, especially, again, in the last scene. There is a really excellent mix of wider and closer shots, and there are not many "medical" shots at all. The female performers are more the focus than their male counterparts, but there is plenty of attention to the men, for example, some nice shots of men's faces while their partners are blowing them.
Our only complaint about the movie is that the acting is a little inconsistent. Richie Calhoun is excellent as the male lead, and Natasha Nice is good in places. But sometimes her dialog feels a bit rushed, and Jack Lawrence is not great as her agent. But Kimberly Kane is very good as her sister. She often seems a bit over the top, but that's the role.
Overall, then, we really enjoyed this movie and perhaps enjoyed it even more the second time.
Scene 1: Alyssa Branch and Xander Corvus
The first sex scene, with which the movie opens, is a story within the story. A couple (Alyssa Branch, Xander Corvus) are being chased by a killer and have sex in a store room as their last act on earth. The story itself is cliché and over the top, but it is supposed to be, and it is very funny.
The sex itself is reasonably passionate, and there is excellent chemistry between them. There is a lot of kissing, and she really seems to enjoy his eating her pussy. Some of the positions are a bit pornish, but they somehow seem to fit the cartoonish character of the entire scene. Our only complaint here is that the fucking sequence seems to go on just a bit too long.
They kiss, standing, and he sucks her tits and licks her pussy. She then kisses his chest as he stands, pulls down his pants, and sucks him. He fucks her from behind as she stands against a locker, lifting one leg up, and he then lies on the floor as she bounces on top of him, rubbing her pussy until she cums. She then stands on one leg, with the other high up against the locker, and he cums on her butt.
Scene 2: Kimberly Kane and Rocco Reed
The second scene features Paulina's sister Sara (Kimberly Kane), who is role playing a horror fantasy with her husband Craig (Rocco Reed). He comes into the room and "attacks" her as she reads, but then they just start laughing. She liked his looking dominant, though, so they have sex with her being a bit submissive.
There os excellent chemistry between them. We especially liked how much they talked to each other while they were making love. The sex is very passionate, too. Kane cums at least twice, once while Reed is eating her, and then again as she is on top of him, slapping his chest as she rides him to an orgasm.
There are a few other touches of roughness, as well: he holds her arms down at one point; spanks her, at her request, at another; and pulls her hair. But it never gets terribly rough, and this is clearly something they both enjoy, and that fits the scenario with which they were playing.
They kiss as she lies on her back, and he holds her arms down, then rubs her pussy. She goes down on him, and he goes down on her and eats her to an orgasm. He then fucks her from behind, pushing her face into the mattress and spanking her at her request, and pulling her hair. They switch to spooning, and she may cum again. He kneels in front of her, and then she gets on top of him, slapping his chest as she rides him to another orgasm. They finish with him kneeling in front of her and cumming on her pussy.
Scene 3: Kelly Klass and Jack Lawrence
The third scene involves a woman, Bonnie (Kelly Klass), who has sex with her literary agent, Donald (Jack Lawrence). The seduction at the beginning is sexy, but the rest is pretty generic, and the scene just doesn't fit into the movie very well at all. Perhaps that is why it was edited down to just ten minutes.
She strips in front of him, and then he sucks her tits. She undoes his shirt, kisses his chest, and sucks his cock. She then sits in his chair, and he goes down on her. He then lies her on his desk and fucks her, standing in front of her. He sits in the chair and she bounces on his cock, and then she gets back on the desk, and he cums on her stomach.
Scene 4: Natasha Nice and Richie Calhoun
In the last scene, of course, Paulina and Wes finally hook up, in a very sweet and romantic way. They start off kissing on her couch, then go at each other passionately in the hallway, kissing and groping as their clothes fly off, eventually finding their way to her bed.
There is really amazing chemistry between them, but what really makes the scene is the tension that has been building between these two. We expected them to jump into bed together when she was sitting on her couch with him, in nothing but a towel, but she ended up inviting him to dinner at Sara's instead. And the confessions of love that precede the sex are romantic and sweet.
The sex is passionate and realistic, and they seem very into having sex together. She seems to cum near the end, prone on the bed and grinding against it as he fucks her from behind. It's an extremely sexy, passionate, and convincing scene.
The photography in this scene is absolutely fantastic, especially at the beginning.
They kiss on her couch, then go at each other passionately in the hallway, kissing and groping as their clothes fly off. On her bed, he takes charge, kissing her body and flipping her onto her stomach so he can lick her from behind. She sucks his cock, then he pulls her up toward him and licks her as she sits on his face while playing with his balls.
She sucks him a bit more and rolls a condom onto his dick with her mouth. They spoon, and she sits up, kind of sideways on him, and bounces. She ends up in a reverse cowgirl position, then lies on her stomach and grinds the bed as he fucks her. She may cum at the end of this sequence. She gets on her back, and he licks her a bit, then climbs on top of her. She rubs her clit and he cums on her torso.
"I love you", she says at the end.
"I love you, too", he responds.