My Hotwife's Lover, from New Sensations Tales from the Edge

★★★★☆

Time: 2:20, Director: Jacky St James, Date: 2014

Screenshots: On our Tumblr

On the web: New Sensations Catalog, IAFD

Cast: Alison Tyler (24yo), Toni Ribas (39yo), Anikka Albrite (26yo), Mick Blue (38yo), Karla Kush (23yo), Chad White (26yo), Chanel Preston (29yo), and Erik Everhard (38yo)

Source: 1920×1080 downloaded from the New Sensations subscription site

Pleasure ♀, Passion ♀-, Balance ✓-

Review

A set of four vignettes, continuing to explore the "hotwife" theme: women whose husbands encourage them to have sex with other men. Unlike in I Love My Hot Wife, we never see the husbands, but they do much of the narration, and we often hear them on the phone and such. (Voices are provided by such Jacky St James regulars as Xander Corvus and Logan Pierce.)

Probably what we liked most about this movie were the stories. The first three are extremely sexy, and we were well and truly turned-on before the sex even started in the first scene. The story in that scene is unusualy long for these movies, too: It's about eight minutes before there's any kind of sexual contact. The second story is almost as long, and almost as hot. The third is a bit shorter, but it is almost as sexy as the first story. It's great how the sexual tension builds Karla Kush and her intended lover until, finally, at last, her husband gives into her request and lets her fuck him.

As for the sex, that's a mixed bag. There is genunine chemistry between the performers in almost all the scenes, and in most of them they really seem to be into fucking each other. But the last scene left us cold, largely because Chanel Preston really overacts the sex. (The story is also a bit cursory.) Overall, though, the first scene was very good, even if the sex was not nearly as hot as the story. And the second and third scenes are also pretty good. The end of the third scene is great, as Karla Kush erupts in several orgasms. But it is just way too long: the sex lasts nearly 35 minutes. That wouldn't a problem if the sex were really hot, but through the middle it gets a bit monotonous. The use of the handheld camera (to film the scene for her husband) got old fast, as did the fairly repetitive things Kush kept saying to it.

The real problem, though, is the photography, which is not nearly as good as in the best of Jacky St James's movies. It is much better in the first scene than in the others, and it is actually very good at the beginning of all the scenes. But once the couple start fucking, there are way too many genital closeups for our taste (see examples here), and there are long stretches where we hardly see the male performer at all. As we've said before, it just isn't very interesting, visually or mentally, to watch a penis go in and out of a vagina over, and over, and over again, however good it may feel to the owners of said penis and vagina. So we end up feeling a bit bored and waiting for something to change, which isn't exactly compatible with getting into the spirit of the scene.

Scene 1: My Wife, the Sex Goddess (Alison Tyler and Toni Ribas, ♀♂)

★★★★½

Time: 33:23

Female Orgasm: Yes, Cumshot: Tits

Features: Analingus, Blowjob, Deepthroat, Female Ejaculation, Tit Fuck

Pleasure ♀, Passion ♀, Balance ✓

Michelle (Alison Tyler) was not very experienced sexually when she got married, so her husband suggested they try "hotwifing". This is the story of the first time she had sex outside her marriage. Her husband has "chosen" her lover, a co-worker Toni (Ribas), who arrives at their house with a bottle of champagne. They sit on the couch, drink some champagne, and start talking and flirting. He asks her to dance for him, which she does, even without music.

It is about eight minutes before there is any sexual contact between them.

The story here is incredibly sexy, and Ribas and Tyler play their roles incredibly well. She does a great job playing shy and unconfident, and he is the stereotype of the hot Latin lover. Unfortunately, the sex doesn't quite live up to the story. It doesn't feel pre-planned, but there isn't great chemistry between them.

The photography is very close and intimate most of the time, which works very well for this scene. There are some wider shots, though, and the camera is never still for very long. But the focus does tend to be much more on her, and he is out of the frame fairly often.

Scene 2: The Freedom of Being Tied Down (Anikka Albrite and Mick Blue, ♀♂)

★★★★☆

Time: 33:36

Female Orgasm: Multiple, Cumshot: Ass

Features: 69, Analingus

Pleasure ♀, Passion ♀, Balance ❌

Lizzy (Annike Albrite) has scheduled a massage with Hans (Mick Blue), and she has no trouble lying naked on the massage table, which make him a bit nervous. She asks him to massage her ass, because it is sore, and she has to encourage him to "go down further", several times. She then turns over and asks him to focus on her breasts, and he says that he doesn't want to lose his job. So she calls her husband and gets him to talk to Hans, telling him it is OK to fuck his wife.

The story lasts about seven minutes, which leaves about 26 minutes for sex.

The sex is extremely passionate at the beginning, with frequent changes of position, and that feeling continues through the scene. They seem really into fucking each other, and she does a nice job of continuing the story, too. But the scene does feel a bit too long, and as a result some of the passion seems a bit over-played.

The photography is not terrible. There are some really nice shots, but there are just too many sequences where he is out of frame. There are also way more genital close-ups than we would like. But then at least they are both out of frame.

Scene 3: Permission to Indulge (Karla Kush and Chad White, ♀♂ + ♀)

★★★★☆

Time: 39:37

Female Orgasm: Multiple, Cumshot: Stomach

Features: Female Ejaculation

Pleasure ♀, Passion ♀, Balance ✓

Nameless Wife (Karla Kush) has the hots for her husband Alex's best friend Derek (Chad White), so she asks him for permission to fuck him. He tells her she has to wait, which forces her to spend all her time masturbating. She does so once while talking to Alex on the phone and pleading with him to let her fuck Derek. Finally, of course, he permits her to indulge.

The story lasts only about 4:30, which leaves 35 minutes for a very long scene. So the sex really, really needs to be good. And it is pretty good. There is quite good chemistry between them, and the sex is natural and passionate at the beginning. And the last few minutes are great. She reaches an amazing plateau of arousal and cums two or three times. But the sex through the middle of the scene ends up feeling a bit routine, and the scene is just too long. It would have been a good deal better, we think, had the sex been edited down.

It's a cute idea to have them use a camera to film what they are doing for her husband, and it does help them to carry the story through the scene. But it didn't really add much to the scene for us, and she seems to say the same thing, more or less, to the camera, over and over, and a lot of it seems forced. We were surpised, too, that they didn't incorporate some of the "home footage" into the scene, which might have been quite effective and would have provided a bit more variety.

The photography is all right, again. It's very good, actually, until they start fucking, but then it becomes predictable. We lose him most of the time, and there are again too many close-ups. Which is way too bad, since Chad White is very hot.

Scene 4: The Seduction Game (Chanel Preston and Erik Everhard, ♀♂)

★★★☆☆

Time: 30:20

Female Orgasm: Multiple, Cumshot: Face,Mouth

Features: Analingus, Blowjob

Pleasure ♀, Passion ✓, Balance ✓

Chanel and her husband like to play a game with her seducing random men. So when the plumber is there, she pretends her husband's called to tell her he has to work late on her birthday. She tells the plumber she hasn't had sex for two weeks and is so horny, etc, etc.

What story there is lasts about 3:30, which leaves a little less than 27 minutes for sex.

There is pretty good chemistry between them, and the sex is reasonably passionate at first. But it ends up feeling a bit routine, and it feels to us as if she overacts the sex. No one needs to talk as much as she does. On the other hand, she has left the phone on so her husband can hear, so it does make some sense. Still, it is more than a bit distracting.

The photography is similar to that in the earlier scenes, but there are probably even more close-ups. When they are doggy style, for example, the camera seems as if it is fixed between her legs for a very long time.